How To Know If Your Piercing Is Infected

You decided on a body piercing, found a reputable piercer, and survived your appointment. Now your piercing is doing something unexpected, and you’re worried that it might be infected. Are these the normal signs of healing, or are you and your piercing headed for trouble? Read on to find out how to tell if your piercing is infected.

Any time your body is injured – including piercing – you might see the five signs of inflammation: redness, heat, swelling, pain, and loss of function. These are normal and indicate that your immune system is at work, but they can also be signs of infection. The difference is a matter of degree and timing.

Symptoms

Your piercer should tell you what to expect during healing. If you know what is normal, you will be able to detect trouble early. Let’s look at the possible symptoms of infection:

Redness – It is normal for a new piercing to be slightly reddened because blood flow to the area is naturally increased. Sure signs of trouble include redness that won’t go away, an expanding area of redness, or red streaks that track away from the piercing.

Heat – Heat also occurs because of increased blood flow and indicates a problem if it increases over time, is hot and not just warm, or just will not go away.

Swelling – Swelling is caused by a build up of fluid. Oral piercings are especially prone to it – a tongue piercing can take a week to ten days to settle down. Swelling is problematic if it does not go down as quickly as expected or gets worse. Your jewelry must be long enough to accommodate swelling. Otherwise, it is very hard to clean, and there is a risk that the jewelry could pull through the piercing and be lost under the skin.

Pain – It is normal for a piercing to be tender for a few days, especially if it is subject to movement (e.g. tongue, lip), or aggravated by clothing or bumping. Pain that worsens with time or is extreme indicates a problem.

Loss of function – An eyebrow might not have a lot of work to do, but a tongue will be slowed down by a piercing, and an infection will make this worse. A pierced body part that will not move or is too painful to move is not normal – you may have an infection.

Two more symptoms

Fever/chills/nausea

- Fever, sometimes accompanied by chills and nausea, is a definite sign of trouble. You either have a localized infection at the piercing site or a more serious (potentially fatal) systemic infection. Consult a doctor if you have a high and/or persistent fever, chills, or nausea. These are not normal reactions to piercing and you may need antibiotics.

Pus/discharge – Not every discharge indicates infection. During the early stages of healing, a healthy piercing will discharge lymph, which is just blood plasma without the larger proteins. It is a clear or slightly yellowish fluid that dries to a crust and is easily removed with warm water.

Pus, on the other hand, is definitely a sign of infection. It is largely made up of dead white blood cells and bacteria. It may be whitish, yellow, green, or gray, and may have bloody streaks and an odor. Yellow, green, or foul-smelling pus indicate a serious infection. Seek medical attention.

What to do

If you think you have an infection, contact your body piercer immediately. Piercers are often more knowledgeable than doctors, who can be prejudiced against or unfamiliar with piercings. However, if you think you are in trouble or your condition worsens significantly, you must seek medical attention. If you lose a piercing, you can get it redone – it is not worth risking your life or serious tissue damage.

Mild infections can likely be treated at home. One time-tested remedy is the salt-water soak. Dissolve 1 teaspoon (5 ml) of sea salt in 1 cup (250 ml) of warm (not so hot that you scald yourself) water in a clean cup, ideally a disposable plastic one for each treatment. Soak the piercing or make a compress with a clean washcloth saturated with the salt water. Do this two or three times per day, fifteen minutes per session.

Avoid antibiotic creams or ointments as they trap dirt and debris and do not allow the piercing to breathe. Do not remove the jewelry from an infected piercing. This could allow the piercing to seal, trapping pus and causing an abscess. Pay special attention to infections in facial or oral piercings – their proximity to the brain makes them especially dangerous.

Prevention

The best strategy is prevention; follow the aftercare instructions from your piercer. He or she will recommend a mild cleanser and a cleaning schedule. Never touch a piercing with unclean hands. Never use alcohol, peroxide, iodine-based products or harsh antibacterial soaps. They are much too strong and will dry skin, kill cells, and impede the healing process.

55 Creative Entertainment Ideas For Your Next Event Or Meeting

1. Hire a comedian who can poke some fun at your CEO, do an impersonation of him, or even make light of your industry as a whole.

2. Hire a magician that can incorporate your sales message into his magic, or cut your CEO or receptionist in half. He might even be able to vanish the CEO, much to the delight of the employees.

3. Book a vocal improvisation group to take requests and spin them into a funny performance.

4. Have a musician write a song about your company and play it at the event.

5. Hire a celebrity impersonator to come to the event and sign autographs and take pictures with guests.

6. Book a caricature artist to draw personalized sketches of each employee at the company. These are fun souvenirs as well.

7. Book a digital caricature artist who composes his or her photos digitally on a computer right in front of your eyes. They can even personalize the backdrop to reflect the company

or event. This is a great souvenir for the guests to take home.

8. Book a balloon artist that makes the life size figures such as Disney characters, scenery like palm trees, huge company logos, and more. The balloon artist can do these figures with everyone watching making it an experience to watch the balloons being put together.

9. How about a strolling juggler who can mingle through the cocktail hour.

10. Book a stilt walker to make a big announcement for your company at an annual conference or meeting. It is a fun and guaranteed way to get everyone’s attention.

11. A clown is a great option for events with children or families. There are also evil clowns for events with no kids or around Halloween.

12. Book a palm reader to make psychic predictions about the future of the company or to tell people’s fortunes.

13. Hire a reality TV star to interact with guests. They are far less money than big time Hollywood celebrities.

14. Book a tribute band to play the songs of an artist that is popular among the guests.

15. An a cappella group can perform on stage or stroll through the event during a cocktail hour or dinner.

16. Hire a symphony orchestra to play at the event. You will need to consider space requirements for this type of an act.

17. You could have a mime act out a corporate message to employees or event customers.

18. Book a DJ to play only requested songs or songs from a certain era such as the 80′s

19. Break dancers can be lots of fun. They are generally young, hip, and add a sense of youth to an event.

20. How about a mariachi band for some festive music.

21. A steel drum band can be a nice addition to a high end gala event.

22. Booking a fire eater can be a great way to kick off the launch of a hot new product or service.

23. Carolers can be nice addition to any holiday event.

24. A living statue can be a great idea for almost any event. Make sure you ask for a living statue that matches closely to the theme of your event or meeting.

25. Booking a cirque act is a great idea when the event needs something remarkable or to get a buzz going. Make sure you can accommodate for the space some of the cirque acts require.

26. A snake charmer is a unique way break up a meeting or attract a crowd at an event.

27. Hire a mentalist to read the minds of the guests. This is creative way that the performer can interact with the audience.

28. How about an ice sculptor who can sculpt the company logo or a corporate message live while people watch it being carved.

29. Acrobats provide a lively addition to an event.

30. Singing waiters are an a cappella group dressed as formal waiters. This catches guests off guard and is an offbeat way to infuse entertainment into the dining experience.

31. Ballroom dancers can be popular with all the dance themed TV shows like Dancing with the Stars and others.

32. A barbershop quartet is an a cappella group where all the members wear red and white costumes, similar to that of a barbershop pole. This has a nostalgic feel to it.

33. Dueling pianos are a fantastic way to get the audience involved with nonstop entertainment

34. You could have your employees put on the entertainment by having a talent show and getting everyone in the company involved including the CEO. You will want to record this so everyone can watch it later on, or you may even want to send them all home with a copy, or mail it to them afterwards. You could also post them on YouTube for all to comment on.

35. A marching band can be an official way to introduce somebody special at the event. It can also be a way of showing that the company does not take themselves too seriously if they book a fun themed marching band.

36. Book the 60 second novelist. He comes with his own table and a manual typewriter and asks guests a few questions to get a sense of who they are, and he types out a short life story in one minute. He even binds it so guests can take it home. The story is funny, imaginative and true. This is a fun way to get people to open up and share their stories and get to know each other.

37. Face painters are a neat way to entertain the younger kids.

38. A choir can be a nice way to make a grandiose statement.

39. How about an opera singer for a classy event or gala.

40. A graffiti artist that can create a painting of someone or something with a large crowd watching. Some artists do this type of thing super fast, making it intriguing to watch.

41. Book hula dancers to mingle on the dance floor with guests.

42. How about Polynesian dancers to inject a unique culture into the event.

43. A ventriloquist can be a great entertainment choice that can play well for kids or adults depending on the performer.

44. Hire a dynamic storyteller who can weave a message about the goal of the event or meeting.

45. An escape artist is a dramatic way to convey messages such as, escaping or breaking free of limiting beliefs and constraints. This can be a nice way to motivate employees to achieve a goal.

46. Booking a hypnotist can provide a serious element or a comedic one.

47. A rapper could perform a comedic rap specifically written about the company. Some rappers can even improvise this on the spot.

48. A puppeteer is another option for younger children to keep them entertained.

49. Hire a sword swallower to attract the crowd or if it fits into the theme.

50. You can always hire a real Hollywood celebrity to attract the attention and buzz you need or try booking a couple of smaller celebrities to make better use of your funds and get more celebrity drawing power.

51. You might want to book a political impersonator that is popular such as Sarah Palin or Barack Obama.

52. A harpist can add a light musical touch without loud music. This would be nice for a laid back, high end atmosphere.

53. How about having multiple celebrity tribute artists on stage performing a bunch of hits songs from the various artists they impersonate.

54. Have a stage where different executives from the company do karaoke for a variety of songs.

55. Finally, the best way to guarantee a creative entertainment experience is to have the performer or performers customize their acts to your event or meeting. This creates a memorable experience guests are sure to remember for a long time.

History of Ear Gauging in Tribal Civilizations

A study of the history of ear gauging indicates the practice to be as old as recorded human history. For males, this form of ear piercing has been a symbol of status, while for women, in addition to being used as means of bodily decoration, it has also been employed to signify the attainment of womanhood.

Ear gauging, which is also referred to as ear stretching, is the stretching of ear lobe piercings to larger diameters than that of the original piercing. It is a form of body enhancement or beautification that many young western people adopt to look ‘different’ from the usual crowd. However, this is not a modern form of body piercing, since it has been around for as long as archaeological records exist.

In many cases, ear gauging has been used historically to indicate the standing of members of a specific tribe, and in many respects this is still the situation today. Stretched piercings have been, and still are, a reflection on the individual’s sexual capability and also their superiority over other males in the tribe. The larger the stretching, the more important the individual.

Otzi the Iceman is a prime example of mummies known to have stretched ears. This is the earliest known example of ear gauging, Otzi having 7-11 mm ear piercings during 3300 BC. It has been suggested that the stretching of the ears noted in depictions of Siddhartha Gautama, better known as Buddha, may have been caused by the weight of the gold jewelry he wore, but this is mere supposition.

It is supported, however, by the fact that the Masai tribe of Kenya and the Lahu and Karen-Paduang people of Thailand use this ‘gravity’ technique to stretch their piercings. Let us have a look at the ear gauging practices used today by various cultures.

A. Mursi Tribal Women

The Mursi is an Ethiopian tribe where the women are obliged to wear plates in their gauged ears and on their bottom lip. About a year prior to her marriage, or at about 15 years of age, a Mursi girl’s lip will be pierced by her mother and a wooden peg pushed through the incision.

Once healed, the peg is changed for a larger diameter one. Eventually, the peg is replaced by a plate of clay or wood, and this plate is successively changed for larger diameter ones until the required diameter is attained – from around 8 – 22 cm in diameter (3 – 9 inches). Once these plates have been secured, she receives a higher degree of respect than those without them, and is known as a ‘Bhansanai’.

These lip and ear plates need not be worn permanently, but are an expected adornment during special occasions such as during weddings and other celebrations, and when they serve food to men. Today, young women can generally make their own decision as to whether or not they follow this tradition.

B. The Masai People of Kenya

The practice of ear gauging has been common among Masai men and women for thousands of years. In recent years, however, most young men have not been following this custom, although you will still find many Masai women wearing ear decorations made from stones, cross-cut elephant tusks, wood and animal bones.

The original piercing is carried out using a thorn, sharpened twig or a sharp knife point. Once healed, ear gauging is then carried out by wearing increasingly heavy jewellery that pulls the lobe down and stretches the piercing. This is the traditional way of gauging ears in the more primitive cultures, although many Masai today will use proper ear gauging techniques, such as their own versions of insertion tapers or taper spikes. Beads are a common form of ornamentation, although plugs made from bone, tusks and wood are also used.

C. The African Fulani Tribe

Fulani women from Nigeria and Central Africa tend to use smaller diameter ear gauges, and decorate them using large gold domes or hoops carrying earrings. A Fulani child will have her ears pierced at around 3 years old, although they may not be stretched until she is older. The gauges used by Fulani women are relatively small compared to the Masai and Mursi, although the jewellery can be larger.

D. Asian Hill Tribes

Of the various hill tribes, the only two known to practice ear gauging are the Lahu from Thailand, and the Karen-Padaung (Longnecks) from Myanmar (Burma) and also the Phrae province in Thailand. That latter tribe are best known for their neck rings, offering the appearance of long necks, but both cultures believe the ear to be sacred and the more jewellery they can wear on the better. By gauging their ears, they are able to wear the maximum amount of jewellery they believe possible.

E. Mexican and Central American Civilizations

In Mayan and Aztec society, ear gauging was regarded as desirable for males. There are many Mayan representations of men with flares and ear plugs (ear spools) in gauged ears, and the material used was indicative of the social standing of the wearer. Jade ear plugs were worn by the higher classes, while the rest would use bone, stone, wood and other materials. In central Mexico, the craftsmanship of the Aztecs is evident in the ear gauging plugs and ornaments of gold and silver, though the lower classes would adorn their stretches earlobes with shells, copper and wood among many other imaginative materials.

Ear gauging has been carried out worldwide, and among other notable areas involved in this practice are Japan, where the Ainu used ear jewellery made from shells, bone and a ball and ring known as Ninkari. There are many other cultures worldwide where ear gauging was a part of their life, and even today many people regard ear stretching as a fashion statement and a way of expressing their own personality and individuality.

The History of Mixed Media Art

Mixed media art is a kind of artwork in which several mediums are employed. There’s an important difference between “mixed-media” artworks and “multimedia art”. Mixed media mean a work of visual art that mixes numerous traditionally unique visual art media. To provide an example, a work on canvas that mixes paint, ink, as well as collage can appropriately be called a “mixed media” work – but not a work of “multimedia art.” The term multimedia art indicates a broader range than mixed media, merging visual art with non-visual materials (including recorded sound, for example) or with elements of the other arts (such as literature, drama, dance, motion graphics, music, or interactivity).

What we all know nowadays as mixed media art began during the early twentieth century, when artists looking for a substitute for what they saw as hidebound academicism started including things and pictures that were not regarded as art materials in their works. Examples of everyday materials being included in ceremonial or aesthetic objects could be found dating back to prehistory, however, these were produced with different motives, and served quite a distinct social purpose compared to the objects all of us refer to as “art.”

Picasso’s Still Life with Chair Painting (May 1912) is often considered the 1st modern collage, it is actually an assemblage of oil paint, oil cloth, pasted paper, as well as rope, turning it into a low-relief, three-dimensional work. The first collages constructed solely of paper, on the other hand, were made by Braque in the summertime of 1912, when he utilized wood-grained wallpaper in a series of charcoal drawings. After a brief lull in collage activity, the 1920s’ art scene experienced the arrival of German dada artist Kurt Schwitters’s remarkable array of personal expressions accomplished in collage and assemblage. He fixed everyday found papers as well as things of all types to canvas, paper, and board supports, giving them another and most likely more notable life.

In the 1930s, Henri Matisse utilized cut-paper shapes as preparatory work for commissioned items to be executed in some other media. But in 1947, he published a small collection of twenty color plates of his cutout designs. Joseph Cornell’s work in stage like boxed assemblages during the early 1940s began the abstract expressionists’ search for collage as an art form. The liberty of expression engendered by means of collage explorations headed directly to the assemblages, constructions, and also combine paintings of Robert Rauschenberg, Jasper Johns, Jean Dubuffet, and Ellsworth Kelly, as well as to their experimental work in the 1950s as well as 60′s. And their particular work in turn created the conditions for the installations, appropriations, settings, and new object works of the eighties and 1990′s.

Mixed media art, drawing from the efforts of early artists, made mixed media an accessible art form for both skilled and novice artists. Assemblage as well as collage can be obtained combined with acrylic and watercolor painting, rubber-stamped art, sculpture as well as altered books. Fibers, torn papers, inks, glitter plus beads are discovering their way into works of fine art as well as commercial items such as greeting cards and quilts. The near future of mixed media, it appears, is bound just by the creativity of artists and whatever they could possibly get their hands on.